{"id":552,"date":"2019-02-09T15:35:50","date_gmt":"2019-02-09T12:35:50","guid":{"rendered":"http:\/\/www.baskir.com\/?page_id=552"},"modified":"2019-02-14T16:12:06","modified_gmt":"2019-02-14T13:12:06","slug":"kliknete-dergisi-english","status":"publish","type":"page","link":"https:\/\/www.baskir.com\/en\/kliknete-dergisi-english\/","title":{"rendered":"kliknete dergisi english"},"content":{"rendered":"<div  class=\"tatsu-HyZL4trh4E tatsu-section    tatsu-clearfix\" data-title=\"\"  data-headerscheme=\"background--dark\"><div class='tatsu-section-pad clearfix' data-padding='{\"d\":\"90px 0px 90px 0px\"}' data-padding-top='90px'><div class=\"tatsu-row-wrap  tatsu-wrap tatsu-row-one-col tatsu-row-has-one-cols tatsu-medium-gutter tatsu-reg-cols  tatsu-clearfix tatsu-rkgUNKB34N\" ><div  class=\"tatsu-row \" ><div  class=\"tatsu-column  tatsu-column-no-bg tatsu-one-col tatsu-column-image- tatsu-column-effect-  tatsu-r1LVtB2EE\" data-animation=\"fadeIn\"   data-parallax-speed=\"0\" style=\"\"><div class=\"tatsu-column-inner \" ><div class=\"tatsu-column-pad-wrap\"><div class=\"tatsu-column-pad\" ><div  class=\"tatsu-module tatsu-text-block-wrap tatsu-HJMSFS2VN  \"><div class=\"tatsu-text-inner tatsu-align-center  clearfix\" data-animation=\"fadeIn\"  ><style>.tatsu-HJMSFS2VN.tatsu-text-block-wrap .tatsu-text-inner{width: 100%;}<\/style>\n<p><strong><span style=\"font-size: 16px; letter-spacing: 0px;\">KLIKNETE<\/span><\/strong><\/p>\n<p>MASTER OF PHOTOGRAPHY<br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"wp-image-546 size-full alignnone\" src=\"http:\/\/www.baskir.com\/wp-content\/uploads\/2019\/02\/2019-01-27_083813.jpg\" alt=\"\" width=\"639\" height=\"426\" srcset=\"https:\/\/www.baskir.com\/en\/wp-content\/uploads\/2019\/02\/2019-01-27_083813.jpg 639w, https:\/\/www.baskir.com\/en\/wp-content\/uploads\/2019\/02\/2019-01-27_083813-300x200.jpg 300w, https:\/\/www.baskir.com\/en\/wp-content\/uploads\/2019\/02\/2019-01-27_083813-75x50.jpg 75w\" sizes=\"(max-width: 639px) 100vw, 639px\" \/><\/p>\n<p>Necati Ufuk BA\u015eKIR<\/p>\n<p><span style=\"font-size: 16px; letter-spacing: 0px; color: #ff0000;\">First, let us get to know you. Who is Necati Ufuk Ba\u015fk\u0131r? Could you tell us about yourself?<br \/>\n<\/span>When I graduated from Mimar Sinan University Faculty of Fina Arts, I already had a decade of experience in professional photography. When I founded PLANART in 1990,1 possessed advanced technical knowledge in Studio and Architecture. \u0130n 1996,I joined PTFD (Professional Promotional Photographers Association). For a period, I taught \u201cPhotographic Design and Promotional Photography\u201d at Departments of Photography and Graphic Design at Kocaeli University\u2019s Faculty of Fine Arts. I\u2019m photographer specializing on promotional indoors and product shoo- ting.<\/p>\n<p><strong style=\"font-size: 16px; letter-spacing: 0px;\"><span style=\"color: #ff0000;\">How and when did you decide to be a photographer?<br \/>\n<\/span><\/strong><span style=\"font-size: 16px; letter-spacing: 0px;\">My professional life so far taught me that life comes up with various surprises in accordance with their personal qualities and talents. The environment during my childhood emphasized obsession upon creativity and expression at such a rate that my own creativity and industriousness eventually led to choose my path towards fine arts. I made six choices during the exam but due to a twist of fate that I understand only now, I enrolled to the department of photography.\u00a0<\/span><\/p>\n<p><em><strong>I define what I do as a service. Service requires Vision. This is not a \u201cpremade\u201d. Since there\u2019s no pre- made product, there\u2019s no profit to haggle upon. \u0130n a country where even engineers are underrated, what does it mean to boast that one is a \u201cprofessional photographer&amp;quot;, just because they can handle a camera?<\/strong><\/em><\/p>\n<p><strong><span style=\"font-size: 16px; letter-spacing: 0px; color: #ff0000;\">You\u2019ve also won the department of sculpture. What changed your\u00a0<\/span><span style=\"font-size: 16px; letter-spacing: 0px; color: #ff0000;\">mind?<br \/>\n<\/span><\/strong><span style=\"font-size: 16px; letter-spacing: 0px;\">During my freshman year, I dreamed of switching to sculpture department. I eventually won the department in my second year. One day, when I peeked through the frosted lens of a 13&#215;18 camera of a master, I saw what I should do and who I should be. Ali two-dimensonal arts struggle with the illusion of a third dimension in two dimensions. From cave paintings to this day, all art from with the exception of architecture and sculpture are founded upon this illusion. I suppose, I preferred creating an illusion rather than creating something that is already illusory.<\/span><\/p>\n<p><strong style=\"font-size: 16px; letter-spacing: 0px;\"><span style=\"color: #ff0000;\">Are there any unforgettable moments in your career?<br \/>\n<\/span><\/strong><span style=\"font-size: 16px; letter-spacing: 0px;\">During the promotional shoo- ting of a pharmaceutical company, the shooting space was a very special location, which was shut down during the course of the shooting. After the session, the location was sterilized and the production continued. it total, we used 7-8 shots of 4\u201dx5\u201d film and 8-10 rolls. During the Processing of the film, the films were somehow damaged and the lab couldn\u2019t account for it, because the remainder of the films was unscathed. We told them that we could reshoot the session but it was turned down.<br \/>\nThen I photographed a factory of the same company, in another region. The production was ceased for the purposes of the shooting as well. The company asked us the shoot the aforementioned location in this compound and we shot with our utmost care and attention, using as much equipment we used during the previous run. Inexplicably, the films were damaged during the processing. The initial theory of the environmental chemicals corrupting the films didn&amp;#39;t make sense either. This is one of the occasions in my life where I couldn\u2019t find a reasonable explanation.<\/span><\/p>\n<p><strong><em><span style=\"font-size: 16px; letter-spacing: 0px;\">When you invest in and produce a high- priced product, you seek ways of cheap promotion. I\u2019ve always wondered if these people who know the price of everything, also do know the value of everything. Production, just like consumption, is a matter of consciousness and culture.<\/span><\/em><\/strong><\/p>\n<p><span style=\"font-size: 16px; letter-spacing: 0px;\"><strong><span style=\"color: #ff0000;\">What are the main features of promotional photography that set it apart from the rest?<\/span>\u00a0<\/strong><br \/>\nI believe that there are three types of photography: Hunter, Gatherer and Designer. Promotional photography requires the knowledge of all three and it can only be produced by a designer photographer. You need a particular talent for not being able to shoot with the current technology. But being a photographer and shooting photographs are two different things. Visual aspect is the primary element in promotion. From the premise that photography reflects the reality, the success of the visual aspect is judged accordingly with the success of the photograph. This is the point that separates amateurs from professionals.\u00a0<\/span><\/p>\n<p><strong><span style=\"color: #ff0000;\">You\u2019ve contributed in H. Yi\u011fit Yaz\u0131c\u0131\u2019s book,\u2018Hayallere Ayna Olmak\u2019 (Being A Mirror for Dreams). Have you considered authoring a book about photography?<br \/>\n<\/span><\/strong><span style=\"font-size: 16px; letter-spacing: 0px;\">I\u2019ve photographed for various artists, in return for their art- work. For some, I couldn\u2019t bring myself to take anything, so I took ownership but left the art- work in their care. Frankly, That sort of barter is the best sort of trade. Due to the lack of its true value, money can be quite an unpleasant thing. \u0130n Turkey, most artists are financially struggling. They must be promoted and supported by those who value and respect their work.<br \/>\n<\/span><span style=\"font-size: 16px; letter-spacing: 0px;\">I\u2019ve been working on a book for about a decade. It\u2019s a work that can be helpful for not only photographers but for visual arts as well. But after some point, I also need a helping hand. A project of this caliber cannot be handled single handedly.\u00a0<\/span><\/p>\n<p><strong><span style=\"color: #ff0000;\">Who are the artists whose work you follow and admire?\u00a0<\/span><\/strong><br \/>\nSince my memory with names isn\u2019t as keen as my visual and audial memory, I cannot name those other than the \u2018classics\u2019. For me, the work weighs more heavily than the name. The work leads me to the name. I follow any artists who are not stuck within the culture and that possess a universal quality. For instance, Kazimir Malevich\u2019s 109&#215;109 black square from 1913.\u00a0<span style=\"font-size: 16px; letter-spacing: 0px;\">\u0130ts beauty is breathtaking and it paralyzes me. \u0130t gives off the same effect that &amp;#39;black holes\u2019 radiate.<\/span><\/p>\n<p><span style=\"font-size: 16px; letter-spacing: 0px;\"><em><strong>Nobody says \u201cI have a violin, so I can be a musician\u201d but people who get a hold of a camera claim to be a photographer. What\u2019s worse is that some other people take seriously. The worst problem is these people\u2019s enterprise to take it upon themselves within \u201cthe cultural issues and market conditions\u201d\u00a0<\/strong><\/em><\/span><\/p>\n<p><strong style=\"font-size: 16px; letter-spacing: 0px;\"><span style=\"color: #ff0000;\">What would you advise to young and capable artists?<br \/>\n<\/span><\/strong><span style=\"font-size: 16px; letter-spacing: 0px;\">Each generation has a hard time understanding the precedent, as the condition of life change too rapidly. There\u2019s not much to be said in a world that consumerism is shoved into people at every turn. Nothing good, beautiful or worthwhile is achieved easily. There\u2019s always a winding path of perseverance, dedication and patience, along with unrequited labours and overpaid dues behind every success.<br \/>\n<\/span><span style=\"font-size: 16px; letter-spacing: 0px;\">The relationship between master and pupil is a unique school. I must say that it\u2019s not only the simple knowledge of photography but it\u00a0<\/span><span style=\"font-size: 16px; letter-spacing: 0px;\">also requires an interest in all forms of art. They must turn themselves to areas they are interested in. Other- wise they\u2019ll be stuck within the struggle of money-making.<br \/>\n<\/span><span style=\"font-size: 16px; letter-spacing: 0px;\">These are alien concepts for today\u2019s youth. They want every- thing fast and easy. More to the point, they are conditioning themselves to a life that the Powers-That-Be build behind that grand lie of \u201cglobalized\u00a0<\/span><span style=\"font-size: 16px; letter-spacing: 0px;\">world\u201d. The order-like messages such as \u201cdon\u2019t think, shoot\u201d or \u201cyou can do it\u201d, are reminiscent of the last century\u2019s mentality of handing out free cameras. Apart from the fact that nothing is free anymore, we\u2019re being punished for our pursuit of technology by hardware and software errors or the outdating of a system over a short period.<\/span><\/p>\n<p><strong><span style=\"color: #ff0000;\">Do you believe that photography is given the relevant value in\u00a0<span style=\"font-size: 16px; letter-spacing: 0px;\">Turkey?<br \/>\n<\/span><\/span><\/strong>\u201cWhen looking at a sculpture, the savage first sees stone.\u201d It\u2019s difficult to hear a melodic voice in a rumble. Considering Turkey\u2019s current problems, it&amp;#39;d be a bit of a luxury to worry about the State of art or photography. in a country with a superficial culture of life, such values go no further than the moans on the lips of posh artsy types. Those who assess the situation in arts are those who approach it from a financial perspective. It\u2019s a matter of supply and demand. Of course, one needs to have some hinterland in order to comprehend the situation. \u0130n short, art in this country, let alone specifically photography, is rather difficult.<\/p>\n<p><strong><span style=\"color: #ff0000;\">Do you believe that your messages reach the inten- ded audience?<br \/>\n<\/span><\/strong>The stone you see on a hike, ap- pears as history to an archaeologist. Numbers that are merely mundane to you might define a life for a mathematician. I\u2019d like to answer this with lines from \u00d6zdemir Asaf.<br \/>\n\u201cWhile somebody speaks, it\u2019s up to the listener.<br \/>\nWhile somebody listens, it\u2019s up to the speaker.<br \/>\nWhile somebody\u2019s silent, it\u2019s up to he who\u2019s silent.\u201d<\/p>\n<\/div><\/div><\/div><\/div><div class = \"tatsu-column-bg-image-wrap\"><div class = \"tatsu-column-bg-image\" ><\/div><\/div><\/div><style>.tatsu-r1LVtB2EE.tatsu-column > .tatsu-column-inner > .tatsu-column-overlay{mix-blend-mode: none;}.tatsu-r1LVtB2EE > .tatsu-column-inner > .tatsu-top-divider{z-index: 9999;}.tatsu-r1LVtB2EE > .tatsu-column-inner > .tatsu-bottom-divider{z-index: 9999;}.tatsu-r1LVtB2EE > .tatsu-column-inner > .tatsu-left-divider{z-index: 9999;}.tatsu-r1LVtB2EE > .tatsu-column-inner > .tatsu-right-divider{z-index: 9999;}.tatsu-r1LVtB2EE.tatsu-column{transform: translate3d(0px,0px, 0);}<\/style><\/div><\/div><\/div><\/div><div class=\"tatsu-section-background-wrap\"><div class = \"tatsu-section-background\" ><\/div><\/div><style>.tatsu-HyZL4trh4E .tatsu-section-pad{padding: 90px 0px 90px 0px;}.tatsu-HyZL4trh4E.tatsu-section{margin: 0px 0px 0px 0px;}.tatsu-HyZL4trh4E > .tatsu-bottom-divider{z-index: 9999;}.tatsu-HyZL4trh4E > .tatsu-top-divider{z-index: 9999;}<\/style><\/div>\n","protected":false},"excerpt":{"rendered":"<p><a href=\"https:\/\/www.baskir.com\/en\/kliknete-dergisi-english\/\" class=\"more-link style1-button\">Read More<\/a><\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-552","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.baskir.com\/en\/wp-json\/wp\/v2\/pages\/552"}],"collection":[{"href":"https:\/\/www.baskir.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.baskir.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.baskir.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.baskir.com\/en\/wp-json\/wp\/v2\/comments?post=552"}],"version-history":[{"count":4,"href":"https:\/\/www.baskir.com\/en\/wp-json\/wp\/v2\/pages\/552\/revisions"}],"predecessor-version":[{"id":569,"href":"https:\/\/www.baskir.com\/en\/wp-json\/wp\/v2\/pages\/552\/revisions\/569"}],"wp:attachment":[{"href":"https:\/\/www.baskir.com\/en\/wp-json\/wp\/v2\/media?parent=552"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}